Good Morning, Midnight
with The Courtauld Institute of Art
at The Courtauld Gallery

24 May–6 July 2024
Roberts Institute of Art



This summer, we are excited to collaborate for the first time with The Courtauld in developing and staging a public exhibition in the Courtauld Gallery, to be conceived and curated by the students on the MA Curating the Art Museum programme.

As a culmination of the twelve-month programme, students work with public collections to devise a theme for an exhibition, select works from the collections, and design and mount the exhibition, along with a related programme of events.

Good Morning, Midnight will showcase The Courtauld's rich Post-Impressionist collection, with highlights by Henri de Toulouse-Lautrec and Georges Seurat, in dialogue with contemporary artists from the David and Indrė Roberts Collection, including Anthony Cudahy, Louise Giovanelli, Celia Hempton, Prem Sahib and Rose Wylie.

The exhibition takes its title from a 1939 modernist novel by Jean Rhys in which a woman, alienated and lonely, traverses the cafés and bars of Paris. Central to the exhibition is Toulouse-Lautrec’s painting In a Private Dining Room (At the Rat Mort), where electric light illuminates the space with a strange, green glow. The painting sets the tone for the exhibition’s exploration of performance, spectacle and social space at night-time.

In the featured works from the David and Indrė Roberts Collection, artists use light as a tool to create atmosphere, and often zoom in and crop their compositions, fragmenting the body as they capture fleeting encounters across bars, clubs, stages and screens.

Roberts Institute of Art

Installation view of Good Morning, Midnight at The Courtauld, 2024. Courtesy The Courtauld, London and the David and Indrė Roberts Collection. Photo: Fergus Carmichael

Roberts Institute of Art

Installation view of Good Morning, Midnight at The Courtauld, 2024. Courtesy The Courtauld, London and the David and Indrė Roberts Collection. Photo: Fergus Carmichael

Kate Davies, Director of RIA, said: “This collaboration goes to the heart of RIA’s mission as stewards of the David and Indrė Roberts Collection. We work to make the collection more publicly accessible so are delighted to be opening it up to The Courtauld’s MA students to research and interrogate. This partnership is also an opportunity for us bring new perspectives on the collection and fresh readings of it in dialogue with The Courtauld’s superlative collection. I am excited to see what the students develop.”

Martin Caiger-Smith, Head of the MA Curating the Art Museum at The Courtauld, said: “We are thrilled to enter into this new collaboration. RIA is an exemplary organisation, with a superb collection of contemporary art that complements and extends The Courtauld’s own collection. The annual MA Curating exhibition is a highlight of our programme this summer. Students are privileged to work with art of this calibre, and we wait the exhibition this summer with keen anticipation.”

  • Philip-Lorca diCorcia
  • Anthony Cudahy
  • Louise Giovanelli
  • Harry Gruyaert
  • Celia Hempton
  • Susan Meiselas
  • Marlo Pascual
  • Prem Sahib
  • Pádraig Timoney
  • Rose Wylie

The Courtauld

The Courtauld works to advance how we see and understand the visual arts, as an internationally-renowned centre for the teaching, research of art history and a major public gallery.

The Courtauld cares for one of the greatest art collections in the UK, sharing these works with the public at The Courtauld Gallery in central London, as well as through loans and partnerships.

Academically, The Courtauld is a research-led, independent College of the University of London, with one of the world's most prestigious programmes of art history, curating, and conservation.