Curators’ Series 2: Sculpture of The Space Age

Curated by Raimundas Malašauskas

at DRAF, Great Titchfield Street

1 October–19 December 2009
Roberts Institute of Art

The collaborative group exhibition Sculpture of The Space Age, is the second edition of our Curators’ Series, a platform to support independent curators, duos and organisations to develop and deliver thematic exhibitions with newly commissioned works. Curated by Raimundas Malašauskas, the exhibition has been developed collectively with artists Gintaras Didžiapetris, Ryan Gander, Mario Garcia Torres and Rosalind Nashashibi over the last twelve months to make a fiction real.

The title Sculpture of The Space Age refers to a purely fictional exhibition mentioned in J. G. Ballard’s The Object of the Attack (1984), which in the short story was held at the Serpentine Gallery in the late 70’s. This exhibition, which never happened, is not even described in the text and exists solely as a title. Malašauskas started a discussion with the artists about this potential exhibition and describes his process as 'an interdisciplinary experiment of space-time traveling.' He writes: 'Mario Garcia Torres with Ryan Gander and Gintaras Didžiapetris with Rosalind Nashashibi bring Sculpture of The Space Age to where it could have been and where it has never been yet: the year 2009. The show looks as if it was installed in the 70s, but will open its door only tomorrow.’

Raimundas Malasauskas

Lithuanian born Raimundas Malasauskas was until recently curator-at-large of Artists Space, New York. He was curator at the Contemporary Art Centre (CAC) in Vilnius, Lithuania from 1995-2001. Together with Gridthiya Gaweewong, Massimiliano Gioni, Jessica Morgan, Hans Ulrich Obrist and Russell Storer, he was part of the curatorial team for the 2008 Sydney Biennial. The Sculpture of Space Age is his first exhibition in London.

Gintaras Didžiapetris

Gintaras Didžiapetris (born 1985 Lithuania, based in Lithuania) is an artist living and working in Vilnius.

Ryan Gander

Ryan Gander (born 1976 UK, based in UK) creates works in various written, spoken and visual languages. His practice adopts both familiar styles, such as cartoons and maps, as well as more avant-garde aesthetics. By appropriating existing art and design work to generate new pieces, Gander creates fictional histories, traced from real historical moments and turning points in visual culture. He thematically investigates notions of copyright, intellectual property and the issues surrounding ideas of documentation and collaboration, originality and meaning, by playful investigation into facets of the making, presentation, history and documentation of art and design.

Mario Garcia Torres

Mario Garcia Torres (born 1975 Mexico, based in US) Through re-examinations of conceptual art works, Garcia Torres combines elements of fact and fiction, history and myth, past and present. More than just historical references, his work raises contemporary questions that address politics, memory and the accessibility of information through performances, videos and installations.

Rosalind Nashashibi

Rosalind Nashashibi (born 1973 UK, based in UK) is most known for her 16mm films in which she focuses on observation of group interaction and social rituals. She is concerned with portraying the psychological atmosphere of locations and detecting subconscious projections. She also produces screen prints and collages, which merge abstract forms and figurative elements.