Flesh Arranges Itself Differently
with
The Hunterian, Glasgow

14 January–21 May 2022
Roberts Institute of Art

Flesh Arranges Itself Differently is an exploration of the varied ways in which artists have evoked bodily experiences, often in response to the impacts of technology, spirituality or mortality.

The exhibition is a unique collaboration between The Hunterian, University of Glasgow and the David and Indrė Roberts Collection. Co-curated by the Roberts Institute of Art and The Hunterian, artists featured from both collections are:

  • Rita Ackermann
  • Horst Ademeit
  • Michael Armitage
  • Huma Bhabha
  • Christine Borland
  • Miriam Cahn
  • Michael Dean
  • Jimmie Durham
  • Ayan Farah
  • Ilana Halperin
  • Tamara Henderson
  • Loie Hollowell
  • Yayoi Kusama
  • Liliane Lijn
  • Eduardo Paolozzi
  • Robert Rauschenberg
  • Michael E. Smith
  • Danh Vō
Roberts Institute of Art

Sir Eduardo Paolozzi, A veterinary student, 1960 and Jimmie Durham, Colored Glass and Steel Construction with Epoxy Glue, 2015.

Courtesy the Hunterian and the David and Indrė Roberts Collection. Photo: Patrick Jameson
Roberts Institute of Art

Yayoi Kusama, Dots Obsession (Tobas), 2006 and Michael Dean, hours (Working Title), Analogue Series (tongue), 2013.

Courtesy the David and Indrė Roberts Collection. Photo: Patrick Jameson


Flesh Arranges Itself Differently does an excellent job of demonstrating the rich multitude of ways in which the human body and spirit can be represented, as well as the cultural shifts that have opened up these explorations since the age of Enlightenment. Current experience tells us that these shifts will continue to disrupt our sense of our physical and collective selves and our identities in ways we can only imagine.
Studio International, February 2022

Selected by splicing two very different collections together, the works included here range from early anatomical studies to contemporary works in painting, print, sculpture, photography and video by leading international artists. The contemporary works often translate corporeal experiences through sculpture and figurative imagery, but also include more abstract pieces that allude to spiritual beliefs and psychological experiences.

Throughout the exhibition, we encounter bodies and artworks themselves as exposed to the interventions of external forces. Flesh Arranges Itself Differently explores new perspectives on these forces and the ways we have developed understandings of our bodies, whether in relation to their materiality, their transformation in modernity, or through otherworldly experiences.

Roberts Institute of Art

Liliane Lijn, Cosmic Flares III, 1966. Installation view of Flesh Arranges Itself Differently at The Hunterian Art Gallery, 2022.

Courtesy the David and Indrė Roberts Collection. Photo: Patrick Jameson
Roberts Institute of Art

Robert Macaulay Stevenson, Anatomical Studies of legs, 1874. Installation view of Flesh Arranges Itself Differently at The Hunterian Art Gallery, 2022.

Courtesy the Hunterian. Photo: Patrick Jameson

You can find more press coverage on our dedicated press page.

The Hunterian

The oldest public museum in Scotland, with collections spanning arts, sciences and humanities, The Hunterian is at the forefront of university museums around the world. Since it opened at the University of Glasgow in 1807, The Hunterian has been an invaluable academic and community resource and for years to come, The Hunterian is committed to becoming a more meaningful place for more diverse audiences.

As a university gallery and museum The Hunterian creates space for intellectual inquiry and a process of learning and experimentation. The Hunterian collection’s Enlightenment history made a repository of knowledge that materialises the problematic history of Western modernity and its fundamentally colonial and capitalist underpinnings.

Taking this as point of departure and critical reflection, The Hunterian’s contemporary art programme seeks to interrogate the institution’s genealogy, and to introduce different perspectives into its spaces. Working with a wide range of artists on acquisitions, commissions, exhibitions and events, our contemporary art programme allows us The Hunterian to find new ways of using our historic collections to understand the contemporary world.

Roberts Institute of Art