Evening of Performances at O2 Forum Kentish Town, London

1 October 2018
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The 2018 edition of the annual Evening of Performances takes place at the O2 Forum Kentish Town. This edition includes a programme of live works that range across performance art, spoken word, dance, comedy and music each with different physical, sensual and intellectual approaches to intimacy.

The programme includes the following artists and performances:

Artist Bob Kil makes her first UK public appearance at this year’s Evening of Performances. Her new commission, But Bob, emerges from a dream landscape, where she recounts a recent experience in R.E.M state. Her reading takes the form of a sleep journey, with pitfalls and peaks, her voice rising and falling at an unexpected pace. She exposes what might be the most intimate realm, and unfolds her fears and confusion into words. Her voice guides the audiences to a sensuous space where personal projections and associations run amok.

Here’s to… punctuates the evening with popping champagne corks. A series of toasts take place throughout the evening and across the venue. The artist duo Tate n Lyle, composed of Rohanne Udall and Paul Hughes, take the commission towards an expansion of ideas and positions. Through inviting six individuals with strong opinions — Angela Andrews, Wendy Houston, Bruno Roubicek, Tamara Tomic-Vajagec, Esmond Sage and Monsur Mansoor — and allocating each a space for expression through a celebratory toast, they isolate the individual and publish reflections from their respective lives.

Roberts Institute of Art

Choreographer and dancer Alma Söderberg performs Deep Etude, 2018 for the first time in the UK. Alma Söderberg works with the body as her medium and responds to sound through choreography and movement. Deep Etude is informed by a composition of polyrhythmic sounds by Hendrik Willekens. Söderberg introduces endurance into the piece. She marks each movement with repetition and sound. Through improvisation and immediate choreographic response, each performance emerges as a unique composition.

Roberts Institute of Art

Artist Fiona Banner aka The Vanity Press publishes this year’s Evening of Performances with an original ISBN number, registering it as both a fiction and a reality. Her distinctive visual and numeric identity runs throughout the venue and stretches across London. On stage, she presents a new performance Spring Summer 19 / The Walk in the form of a fashion runway show which foregrounds not clothes, but language. The performance melds fetishisms of display prevalent both on the catwalk and in military displays.

Turner Prize-winning British artist Martin Creed reveals a new commission for Evening of Performances.

Roberts Institute of Art
Roberts Institute of Art

Grace Schwindt’s new commission The Boxer centralises on the singularity of a subject from the perspective of multitude, looking at what makes an individual. Her response is told from the perspective of a lack, a wound, a loss. Schwindt composes an image of a person in his/her absence, through performances by a bodybuilder, a singer, a dancer, a drummer, alongside a boxing ring and a series of sculptures made of ceramics and bronze. The broken boxing ring she inserts on the stage stands for the central character whose narrative is told through moving image, accompanied by singing and choreography. Performers include Sophie Brown, Jia-Yu Corti, Rosie Middleton, Ellen van Schuylenburch and Ted Pollard.

Roberts Institute of Art

The complexity of human narrative is the core of Stacy Makishi‘s new piece, Stacy Makishi and the Proud Marys. Her stand-up comedy is informed by her memories of her childhood. She juxtaposes vital facts (place of birth, conditions of upbringing) with semantic constellations (feelings of self, realisation of subjectivity, aspirations…) in the most hilarious and surreal ways. In this piece, Makishi directs her lens onto shame, an intimate feeling kept hidden from others. Through inviting the audience to respond and participate in her directional narrative, she builds a deep collective intimacy.

Roberts Institute of Art

Environmentalist and gender activist punk trio Charismatic Megafauna are a female-only band composed of artists Jenny Moore, Georgia Twigg and Susannah Worth. They perform drum-hop-punk-powered missives of ‘party music for politically minded people’ in original costumes and projections. Their live set of songs from their latest album Semi Regular performs the intimacy of the political self, through ever-active engagement with the world.

Roberts Institute of Art

Artist duo Das Hund (Sam Levack and Jennifer Lewandowski) launch their evocative debut album For Freedom, performed live for the first time at Evening of Performances. The artists compose visual and sonic narratives around the alienated individual that resists the streams of regeneration and separation from nature. The duo, accompanied by a guitar and bass player, will perform tracks from the album, which is available as digital download and vinyl LP. This launch will be followed by a UK tour.

Evening of Performances

Our Evening of Performances (2008–2019) is an annual highlight of our programme that brings together artists, musicians and choreographers for a presentation of new live work. Each year we commission performances that showcase the energy and diversity of performance art. The event is open and free to all.