Daisy Parris

September–October 2025
Roberts Institute of Art

We have invited Daisy Parris to join the Roberts Institute of Art Residency in Scotland this autumn.

Roberts Institute of Art

Daisy Parris is a UK-based painter whose work explores psychological space through a raw and expressive visual language. Combining direct text-based elements with abstract mark-making, Parris creates paintings that reflect the depths and peaks of human experience, relationships, and personal struggles.

Parris offers unflinching narratives alongside moments of quiet reflection and tenderness, acting as intimate self-portraits. Parris’ paintings capture personal battles and triumphs with honesty and intensity that are, at times, silent and contemplative, at others bold and unrestrained.

Roberts Institute of Art

Daisy will use their time in Scotland to further the use of text in their paintings as well as taking advantage of the striking natural light available in Cortachy following on from their recent exhibition of new work, Back to the Sky (2024), at Sim Smith.

Daisy Parris

Daisy Parris (b. 1993) lives and works between London and Somerset, UK. They were awarded BA (Hons) Fine Art from Goldsmiths University, London, UK in 2014. Recent solo exhibitions include Back To The Sky, Sim Smith, London, UK (2024); No Storm Was Ever Quite So Fierce, Green Family Art Foundation, Dallas, USA (2024); Pièce Unique, Massimo De Carlo, Paris, France (2023) and Mother Me, Carl Freedman, Margate, UK (2023). Group exhibitions include Alchemists, Pond Society, Shanghai, China (2024); Present Tense, Hauser & Wirth, Somerset, UK (2024) and Elsewheres, curated by Zuzana Ciolek, UTA Artist Space, Los Angeles, USA (2024). Parris is represented in collections including ICA Miami, Miami, USA; Museo Tamayo, Mexico City, Mexico; the David and Indrė Roberts Collection, UK; Jupiter Artland, Edinburgh, UK and HSBC Art Collection, London, UK.

Credits

Portrait of Daisy Parris. Photo: Brynley Odu Davies

Daisy Parris, Hold Me In The Palm Of Your Hand, 2022. Courtesy Timothy Taylor Gallery and the David and Indrė Roberts Collection