In Attendance: Paying Attention in a Fragile World

at the Fitzrovia Chapel

8 January–9 February 2025
Roberts Institute of Art

Join us at the historic Fitzrovia Chapel for an exhibition exploring the themes of attention, compassion and curiosity.

In Attendance: Paying Attention in a Fragile World presents a selection of paintings, sculptures and video by UK and international contemporary artists from the David and Indrė Roberts Collection, including Etel Adnan, Phyllida Barlow, Miriam Cahn and Paula Rego.

The works are displayed in the context of the historic Fitzrovia Chapel, originally built as part of the Middlesex Hospital, and for decades used as a place of respite, prayer and contemplation for medical staff, patients and visitors alike.

The exhibition asks us to reimagine the idea of attention as an open-ended practice tied to compassion, curiosity and care. It draws on the chapel’s heritage as a place of sanctuary and reflection, encouraging audiences to explore attention not as rigid focus but as a receptive, dynamic engagement with the world, inspired by the philosophy of Simone Weil.

★★★★ Everything here is affected by the context, moreover, so that one feels the art connect with bodies and mortality in some fundamental way.
The Observer, January 2025

Roberts Institute of Art

Phyllida Barlow, Untitled: disaster 5, 2010. In Attendance: Paying Attention in a Fragile World at the Fitzrovia Chapel, 2025. Courtesy the Roberts Institute of Art and the David and Indrė Roberts Collection. Photography: Tom Carter

Roberts Institute of Art

Rachel Kneebone, Trilogy (1) Silence cannot do away with things that language cannot state, 2006. In Attendance: Paying Attention in a Fragile World at the Fitzrovia Chapel, 2025. Courtesy the Roberts Institute of Art and the David and Indrė Roberts Collection. Photography: Tom Carter

Through these diverse works, and their setting, the exhibition celebrates how attention can help us to remain open and receptive, rather than always seeking solutions and answers. As Simone Weil suggests, complete understanding of anyone or anything will remain elusive, but the practice of attention can allow for a journey of ongoing discovery and connection with the world and others around us.

  • Etel Adnan
  • Emmanuel Awuni
  • Phyllida Barlow
  • Gabriella Boyd
  • Berlinde De Bruyckere
  • Miriam Cahn
  • Rachel Kneebone
  • Paula Rego
  • Anj Smith
  • Eve Sussman
  • Cathy Wilkes

Alongside the exhibition there will be an accompanying public programme which will further explore the exhibition's themes.


10 January, 12pm
Curator’s Tour
with RIA curator Yates Norton (no booking required)

23 January, 7pm
Panel Discussion: The Politics and Poetics of Attention
with Emmanuel Awuni, Anj Smith and Molly Case, chaired by Lynne Segal

30 January, 7pm
An Evening of Music

with Violinist Angharad Davies

7 February, 7pm
In Conversation

with Rachel Kneebone and Marina Warner, chaired by Yates Norton

Book your tickets here.

Kate Davies, RIA Director says: “We are delighted to be partnering with the Fitzrovia Chapel to curate and present a selection of works from the David and Indrė Roberts Collection around themes of care, compassion and curiosity. Through the works on display we explore how artists respond to materials, the challenges of human experience and find new ways through their practice to connect to others and the world around us. The setting of the chapel could not be more fitting and we hope the exhibition offers visitors an opportunity for contemplation, wonder and a fresh perspective.”

The Fitzrovia Chapel Director, Madeleine Boomgaarden says: “The themes of personal reflection and marvel embedded in this show fit perfectly with the chapel's history as a place of sanctuary, prayer and contemplation while it was part of the Middlesex Hospital - and to this day. We're delighted to partner with the Roberts Institute of Art in showing these exquisite and thoughtful objects in the calm of the chapel.”

Fitzrovia Chapel

The Fitzrovia Chapel, a Grade II* listed building and design of noted architect John Loughborough Pearson, is the chapel for the former Middlesex Hospital. Built in 1891 as a place of sanctuary, prayer and reflection for patients, their families and doctors and nurses, the chapel remains a space to celebrate cultural and life events, explore history, see an exhibition and to take a step out of the bustle of city life into the calm of its marble walls. It has more than 40 different types of marble and hundreds of stars in its gold-mosaic ceiling.

When the hospital was closed in 2005, the chapel was saved from demolition because of its listed status. It reopened in 2016 as a charity (the Fitzrovia Chapel Foundation) with one of its remits being for the promotion of culture and history for the community. The chapel runs its own cultural programme and is partnering with creative wellbeing charity Hospital Rooms for a show in spring 2025. The chapel is also hired by artists and galleries. These include the Stephen Friedman Gallery, TJ Boulting and Richard Ingleby Gallery.

Opening times:
Daily 11 am to 6 pm (closed Monday)
Sunday 12 pm to 5 pm
Free admission

www.fitzroviachapel.org
@fitzroviachapel

Roberts Institute of Art